Rossina Bossio is a visual artist from Bogotá, Colombia who works with painting, drawing, photography and more recently, video. Her art -whether she is the model in her images or not- is a continuous self-portrait changing at the pace of her life experiences. Growing up surrounded by women in a very religious and conservative environment, the multidisciplinary artist questions standards and boundaries within the themes of women, religion and seduction.
Bossio began studying Visual Arts in her hometown and finished at L'École des Beaux-Arts in Rennes, France, where she is currently based. However, her career as an artist started long before she obtained a diploma, having already participated in several group and solo exhibitions in Colombia and France and having her artworks sold internationally to private collectors.
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An image to announce the launching of the 2nd Volume of The Holy Beauty Project, in the following weeks.
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The Shoe
Acrylic on canvas. 64 x 47. 2010
I love it when good things come out of accidents. This is "The shoe", a small painting I finished a couple of days ago, after a rage impulse. I wasn't liking the face of the girl at all (the one I had outlined underneath that bit of paint scribble) and I felt it was ruining the entire image so I was about to cover the whole thing up and start over. With a brush I swept all the remaining acrylic on my palette and discharged it on the canvas (there was still quite a bit of fresh, unused acrylic painting which I didn't want to throw away). Since the face was the part that bothered me the most, I first aimed at it and crossed it out with angry brushstrokes.
Then I stopped and it hit me that the crossed out face actually worked pretty well. At first I doubted because faces are extremely important for me. They're usually the most detailed part of my paintings. The gesture in a face can be everything, it can evoke the right or the wrong message/feeling.
Finally I decided to give it a go and leave it like that. Who knows, perhaps it's the start of something new!
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The video for The Holy Beauty Project Vol.1
It's finally here! My first video for The Holy Beauty Project. Costumes by Swedish designer Jonna Bergelin; Music by Colombian musician Nicolás Díaz Durana and Mexican audio engineer Leonardo de Neymet; Concept, direction, performance and paintings by me.
http://www.youtube.com/watch?v=GAVbjOlX0b8&feature=player_embedded
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MUSIC
Next Thursday will be my third appointment with Mexican audio engineer Leonardo De Neymet and Colombian musician Nicolás Díaz Durana. For the last couple of months, they've been working on the original soundtrack for the Volume 1 video of The Holy Beauty Project. Now I'm joining them to discuss the final touches, which might take another month or so. Quite honestly, my input in the meetings is sometimes limited due to my lack of knowledge in the field, but I still manage to express the type of sounds I would like to hear and where. Funnily enough, I always end up referring to them in 'visual' terms. After all, visual arts are my world. Yet music is, in my opinion, the deepest and most complex of all arts. I am in awe when I watch Leonardo and Nicolás work. People who are able to create beautiful harmonies of sound make me kind of jealous. I feel happy that I can borrow something of this world and incorporate it in my work. Can't wait to show you the results.
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NEW PAINTINGS TO COME
I'm currently working on the series of paintings for the second volume of the Holy Beauty Project. Hence, the last couple of weeks I've been a complete hermit. The brush is my master. Like in the first volume, there will be lots of religious and fashion icons, but also lots of new colors and other bits I can't reveal much about just now. You'll have to wait and see the final images. However, I'm sharing a few close-ups of the paintings I'm working on.
I'm getting a lot of inspiration from cultural elements of Colombia-which makes me realize, once more, just how much I'm missing my country!-. I always wanted to use its gold mine of music, colors, handicrafts and customs, but not in a clichéd way. It seems the right moment has finally arrived. Then again, you'll have to wait and see...